National Theatre’s Coriolanus is Shakespeare on an absolutely epic scale – review

Having never seen a production of Coriolanus before, we weren’t quite sure what to expect when we ventured to the National Theatre earlier this week. Without wanting to make any assumptions, experience has generally taught us that the less frequently staged Shakespeare plays tend to be lesser-performed for a reason. With that in mind, we were quite pleasantly surprised to find that Coriolanus tells really quite an exciting, gripping tale.

This new production, directed by Lyndsey Turner, stars David Oleyowo in the title role and it feels absolutely epic in scale – there’s something quite filmic about this blockbuster production. Es Devlin’s set design is mesmerising – we don’t want to spoil it, but it truly has to be seen to be believed (and appreciated). In terms of the story, this is a highly political tragedy, one that feels timely and urgent. It explores a range of issues including democracy, power and populism to great effect.

We’ve not seen Shakespeare staged in quite this fashion before – it’s a play full of captivating set pieces. There’s a brilliantly-choreographed sword fight sequence which had us on the edge of our seats (there was even an enjoyable slow motion moment for added impact); a frenetic, chaotic riot scene; a mesmerising procession led by Coriolanus’ mother and his wife, as they attempted to win him around to their way of thinking; and many great moments more besides. It’s certainly not a short play, weighing in at the best part of three hours, but we found ourselves gripped throughout.

We’re aware that Shakespeare’s plays won’t hold universal appeal and Coriolanus is unlikely to be for everyone. However, this production feels very accessible – it’s full of energy, it tells a genuinely interesting story, the themes it covers feel incredibly timely, and it’s all wrapped up in a slick package that looks utterly incredible. Well worth checking out.

GAY TIMES gives Coriolanus – 4/5

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